Tuesday, February 25, 2014

Project365 - Depth of Field

Introduction
In a previous post, I remarked that there IS such a thing as too much Depth of Field (DoF). I thought it detracted to the composition of the photographs. But then I wondered if I could turn that detraction into an advantage. To me, it seemed to be a good thing to experiment with ! So tonight's Project365 entry is about my experiments with Depth of Field.

The Setup

This was a little bit more complex. Of course, the camera body was my Canon 60D, and I mounted it on a Manfrotto tripod. Next I mated the camera body with my Canon 40mm f/2.8 prime lens, and used a 20mm extension tube. My subject was tiny, and wanted it to fill the frame. Next, I mounted my Canon 430EX II flash with the Cactus v5 triggers on a second tripod, and affixed a 8" snoot to focus the light very tightly. The flash was set to 1/64 power, and a 108mm beam.

The Photos

I shot a great number of test shots, attempting to dial in the settings. These are a sampling of some of the more interesting ones.

Here is one of the early photos of the set. You'll note how shallow the DoF is - not even the length of the tines of the fork ! I like the overall effect, but not the lighting or the background.

 

I turned the fork over, hoping to achieve a more interesting look. The farthest tine is sharply in focus, while the nearest is blurry. I still don't like the background !



 

THIS is more the effect I was hoping for ! The ends of the tines are in focus, and by placing the fork on a white plate, the background loses importance. Best, the blurriness increases as the eye travels down the tines.

 

 

 

Lessons Learned

After about two dozen shots, I started to achieve the look I was after. But it proved that I can use Depth of Field as an artistic part of the composition. Something I wouldn't have understood yesterday !

 

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